Car Graphic Styles

March 2nd, 2010

Car graphics are divided into two main camps. Business car graphics and sporting car graphics. This article will talk about the sporting car graphics. You have seen the designs around town. They are obviously not from the car factory. You may have asked where do they come from. There is a cottage industry that has sprouted up that specializes in creating these graphics

There are thousands of them but I this article is going to point out the main themes. Some of those themes are: Swirls, Flames, Tribal and a catchall theme of abstract.

Swirls are just what they sound like, a swirl. They are usually put on the side of the car and if chosen with a little care can compliment the lines of the vehicle they are going on. They are a somewhat derivative of the Nike Swoosh and for many cars this will look great.

Another car graphic theme is Flames. You know, flames as in hot rod flames. This theme goes way to the beginning days of hot rods. They are a classic and they still look cool. One thing that has changed is that there are now choices between new flames and the old style flames. The new style of flames are are meant to be more realistic and are usually printed on vinyl.

The classic flames don’t have to be printed on vinyl and it is usually the lines that defines them. The classic flames are usually in one or two colors and can be bought for the side of the car or the hood.

They come in a variety of sizes so that everything from a Geo Metro to a Cadillac can have flames shooting out from under the hood.

There is a whole world of race car themes and a lot of these are abstract. The abstract ones look like modern art applied to fast vehicles. They can start out as geometric shapes from the hood area and then morph into something totally different by the time they get to the back of the car.

A new style of car graphic has emerged in the last few years. This is the work of some excellent graphic artist and the new sophistication of drawing software programs. The new style will encompass layers of ideas applied on top of each other. The lines will at times be focused but then other times freewheeling all over the car. The colors are the same way, with compliments and contrasts and an explosion of different shades.

Some design tips for Car Graphics

March 2nd, 2010

If you want do your own design there are a few guidelines you might be interested in. Although vinyl has its own methods, it shares a lot of traits with graphic design in general. Some of the characteristics of good design also extend themselves to car Graphics.

Lines

Lines are the fundamental element of car graphics design. There are two main ways to evaluate lines. First there is the way each individual line looks by itself. Is this line straight and true or does it wander all over the page. This effect alone will convey a certain meaning. If you are producing a piece for your stockholders you would want lines that look serious.

The other way of looking at lines is how they interact with each other. Are the lines arrayed in a pattern or is there chaos. Are they curling in and out of each other or are they banging into each other at odd angles. Both of these will create a unique feeling. If you wanted the ambiance of light and easy then the curling lines would be a good choice. If you wanted to jar the viewers attention then lines colliding into each other at unfamiliar angles will grab the viewer.

Lines can also be implied. There is no line underneath this sentence but because of the way the individual letters are oriented there is a feeling of line. Then when a line is added it is actually emphasizing information.

Lines can create borders and zones. Lines can separate different parts of a conversation on paper. Very thick lines will create zones.

SHAPES

Lines create shapes and there are a number of different shapes used in car graphics. However there is a rough organization of how shapes originated and how they effect Car Graphics. There are three classes of shapes but these frequently migrate to one another. The three classes are Geometric, Natural and Abstract. That beign said there are all kinds of geometric shapes in nature including snowflakes. Abstract is another one that is hard to pin down for the same reason. However it is a good starting point.

Geometric shapes will be precise and mechanical.

Natural shapes can have a lot of curves to them and are organic.

Abstract shapes are unusual shapes that don’t meet the above definition.

Shapes can also be rectangular or curving. The rectanglular shapes will convey the feeling of trust order and reliability.